18/17
Performance: Nicole Kidman/Cynthia Erivo/James Norton/Chris McClausland/Benson Boone (2024)
Narrative
A powerful CEO risks his career and family when he begins a whirlwind romance with his much younger intern. Jean Reno shot scenes for the film, but they were completely cut from the finished film. I recently watched Babygirl, and I have to say that it is one of the most unique and daring thrillers I have seen in a while.
First, the visuals are stunning
Directed by Halina Reijn, the film delves into the complex dynamics of human desire and power, wrapped in an intense, almost suffocating atmosphere. Jasper Wolfe’s cinematography captures the raw emotion of each scene, blending light and shadow to create an atmospheric, almost dreamlike world. There is a constant sense of tension, as if something explosive is always happening, and the pace is constantly moving forward.
Babygirl is not for everyone, however
Nicole Kidman gives a striking performance, bringing a mix of vulnerability and cold calculation to her character. The supporting cast, while lesser-known, also do a great job, adding depth and unpredictability to the story. Without giving too much away, the film’s exploration of psychological control and subjugation is both disturbing and captivating.
It’s spooky, stylish, and you’ll be thinking about it long after the credits roll
Its erotic elements are tastefully done, but some viewers may find them uncomfortable or contradictory. The plot sometimes feels intentionally vague, forcing you to piece together the characters’ motivations, which I found interesting but could be devastating to others. Overall, if you like psychological thrillers that don’t shy away from taboo subjects or push the envelope, then Babygirl is definitely worth watching.